In the annals of classic cinema, two lesser-known films from the 1930s offer a fascinating glimpse into the early career of one of Hollywood's most iconic actors. "Spendthrift" (1936) and "Wings of the Morning" (1937), both featuring Henry Fonda, provide an unexpected twist on his usual roles. These movies showcase Fonda in a more lighthearted and youthful portrayal, far removed from his later, more serious characters. The films not only highlight the versatility of Fonda but also reflect the cultural and cinematic trends of their time. Set against the backdrop of horse racing, these productions offer a blend of romance, comedy, and drama that captures the essence of the era.
A Closer Look at Two Forgotten Classics
In the vibrant and bustling world of 1930s Hollywood, "Spendthrift" and "Wings of the Morning" stand out as unique entries in Henry Fonda's filmography. Directed by Raoul Walsh, "Spendthrift" is a high-society comedy that follows Townsend 'Towny' Middleton, a carefree heir who squanders his fortune on lavish parties and racehorses. The film features a charming ensemble cast, including Edward Brophy and George Barbier, whose witty banter adds depth to the story. Meanwhile, "Wings of the Morning," directed by Harold D. Shuster, is a romantic drama set in the world of Irish horse racing. Fonda plays Kerry Gilfallen, a Canadian aristocrat who falls for Maria, a Romani princess. This film marks Annabella's debut in an English-speaking role and is notable for being one of the first technicolor films produced in England.
The settings of these films are richly depicted, with "Spendthrift" unfolding in the opulent world of American high society and "Wings of the Morning" immersing viewers in the rustic charm of Irish countryside. Both films explore themes of love, ambition, and the unpredictable nature of fate, all woven together with the excitement of horse racing. "Spendthrift" culminates in a thrilling race where Black Mamba, Towny's prized filly, narrowly wins the Handicap, leading to a heartwarming resolution. In "Wings of the Morning," the stakes are equally high, with Destiny Bay's victory in the Epsom Derby pivotal to the plot's romantic entanglements.
From a directorial standpoint, both films are significant. Raoul Walsh, known for his contributions to classic Hollywood, brings his signature style to "Spendthrift," while Harold D. Shuster, despite being relatively new to directing, showcases his talent in "Wings of the Morning." The latter film is particularly noteworthy for its pioneering use of technicolor, offering a visually stunning experience that was revolutionary for its time.
Reflections on the Legacy of Early Fonda
These two films serve as a reminder of the diverse range of Henry Fonda's early career. They offer a refreshing contrast to his later, more somber roles and provide insight into the evolution of his acting skills. The lightheartedness and charm of these productions make them a delightful watch for both casual viewers and cinephiles alike. Moreover, they highlight the importance of preserving and revisiting lesser-known works of cinema, which often contain hidden gems that enrich our understanding of film history. In an era dominated by modern blockbusters, it is both enlightening and inspiring to explore the timeless appeal of classic films like "Spendthrift" and "Wings of the Morning."